The post war promoters also needed the new rules to give the image that the "new" wrestling was a sea change from the bad old days of the 1930s. They needed local councils to look again at wrestling and permit it in their halls. Similar things had happened in the 1930s.
Hi Ruslan. I do not normally argue with people's ideas on threads ,but I would query your statement that "All -in and Mount-Evans were the same roughhouse "
I doubt if anyone on this site now, saw Oakely's bouts live.
I have seen clips ,which were on the news with the 2 Jack Doyle "Fights" at the RAH.
I did see the first days of Mount- Evans rules at Newcastle.
The ME rules bouts were much more strictly controlled than the Oakely bouts.
I agree with you 100%, and yet I do think that promoters, the big bosses of the game were "inventing" those styles not for the purpose of making the modern rasslin look like a 'noble art' or a 'jocose peasants pastime', what did matter for them was to safely sell the same product as their competitors without having the copyright issues, essentially all those style were very alike, whether all-in, ME, or XXc.
seeing as i had mentioned Gotch taking on Dinnie while he was in the U.K on tour with a play written for him, here's a little photo and blurb from the tattler, 1908-11-18. The tattler was an infamous london tabloid
Waino was a masshole for years. Amherst, I seem to recall. Anyway it’s where he met Riley. The other waino was a weightlifter who also did Grec. Are you going to snap up that poster?
Debraco, thank you for sharing appreciate. I'm not into memorabilia, I don't collect things...except for may be wrestling results records highly recommend to everyone researching on BNA Ron, Mike Hallinan would agree with me it's a best sourse of info when it comes to British pro wrestling history. But have to admit this poster is a beautiful piece of art. I saw similar looking posters of all major stars of American pro wrestling from the 1910s-20s.
SaxonWolf and Debraco I asked our superstar The Main Mask help with the British Wrestling Assn XX Century Catch Wrestling Rules. He's an Oakeley expert, I am pretty sure he can help. So excited to hear from him. Follow my post on that subject.
@ruslan-pashayev I never said ketonen wasn’t originally a practitioner of Greco, or a kind of Greco called glima, among other things.But that he had competed in the free style division which is what put him on the map and became a CACC legend eschewing Greco. This advertising poster of waino is currently on eBay for the steal of $3200
@Debraco I am leaning towards an idea of W.K. learning freestyle/catch in both America (first) and East Lancashire (next). There were no amateur freestyle in Finland at that time. So what's left? USA and England.
Most folks read my dissertations out loud for pest control. The vermin is bored to death before they can escape hearing range, although some do-gooders believe this is to inhumane for even the likes of roaches and rats
so yeah GRAECO-ROMAN background 100%, and it shouldn't be surprising...Even Geo Hack held Finnish greco belt (its on his famous belts photo). Which shows how prestigious it was to go and win their championship. Finlandia was a leading Euro Greco country.
SaxonWolf and Debraco, you would enjoy this reference:
"Moving indoors, the vogue for wrestling began to appear among the Finnish-Americans about the year 1910. A few years before that, a group of Finns had arrived from Tampere, where they had become wrestlers in the Pyrintö Club: Gunnar Grönlund, Matt Kangas, Väinö Ketonen, Karl Lehto, Jooseppi Lehtonen, Kalle Rantala and Karl J. Wirtanen. In the spring of 1909 there was an announcement in the Urheiluviesti, the sports paper which Wirtanen had begun to edit, stating that Grönlund, Lehto, Rantala and Wirtanen had formed a group and would put on exhibition matches in the Minnesota mining region. Between performances they also taught other interested Finns the art of wrestling, gave shows all over the Middle West, and often took part in matches against other champions. That wrestling was not just a sport popular among a few but was enjoyed by vast crowds is claimed in the series of articles written by "G. A." (Gust Aakula) and K. J. Wirtanen in the Industrialisti in the spring of 1955, amplified with an article in the Ironwood Daily Globe of 26 February 1955".
@ruslan-pashayev Yep, that sounds about right. The suplex is generally thought to have been popularized by waino, it’s name was the “Finnish overthrow“
There were two waino ketenons wrestling one of which was an Olympic freestyle wrestler. After he’d been in the states for a while he picked up the CACC and would be an influence on Riley
SaxonWolf, Debraco, enjoy my articles. I am an expert member of the Traditional Sports international movement. My article called THE ROOTS OF MODERN WRESTLING was a subject of my report at the international conference on traditional styles of wrestling couple of months ago.
Thanks guys. I do remember reading the name Waino Ketonen before, am I right in thinking Billy Riley said that Ketonen was the best wrestler he ever faced?, something like that? I need to dust down my old books and read them all again. Was there a tradition of submission wrestling in Finland or did Ketonen learn this elsewhere.
So it appears that both styles (Eastern and Western wrestling, if you will) had some submission moves which the other picked up.
Also, while it appears that Lancashire Catch Wrestling and Catch as Catch Can are interchangeable, when describing the wrestling style, am I right in thinking they are two related, but not the same, styles. Almost like "cousins"?
CACC was the style that originated in England, made up of the best bits of overseas styles, brought back by British sailors I think?
I used to know all this stuff!, the older I get, and with the increasingly busy work load I have, I don't have time to keep my knowledge up to date.
@SaxonWolf CACC is what the American Lancashire came to be called. Interestingly enough in its earliest incarnations as used by the Anglo Irish of the Appalachians it was pure mayhem and included shin kicking and eye gouging and in duels fought among the immigrants an opening gambit was a raking kick to the shin known as a shindig, this was used to close the distance between combatants, much like Royce Gracie’s Pisao kicks in the early UFC’s. These affairs were festive get togethers for these simple mayhem loving folk and the term shindig eventually became synonymous with a party. Even the wildest Indians found themselves at a disadvantage against these yahoo’s
SaxonWolf, thank you for your kind words, appreciate. Waino Ketonen was Greco Roman wrestler, in fact Finlandia (back then part of Russian Empire) was among the leading Greco countries in the world. I just yesterday made a post called Old Graeco Roman, you would love it.
Lancashire catch, was a folk style and a pro wrestling culturally unique to the residents of East Lancashire (Salford and Blackburn Hundreds). Lankie is not the only catch wrestling in Western Europe, there's also Dutch/Flemish Catch Stoeien (the forefather of Lancashire catch), Swiss Catch/Rutzen, Provencal Lutte Libre (France) and German/Austrian Catch Ranggeln. They all are relatives.
Modern Catch is 100% all-in wrestling, which was invented in the 1920s, and was an amalgamation of Greco, catch, judo, jiu jitsu. They used different names for it, still it was the same all in. Whether you call it Mount Evans (Morell) or XXc Catch (Oakeley) it still is the same old ALL IN.
will do. I'd also ad that it was a two way street in regards to the technique and knowledge flow, in no old jiudo or handa book is there a double wristlock/kimura or crooked head scissors before its exposure to CACC/Lancashire, there was neither a top wrist lock/americana in CACC/Lancashire before handa/jiudo. In mentioning Yukio Tani it's often pointed his mastery of the CACC leg rides and his ability to flumox other japanese opponents with his use of them. When he crushed Higashi in Paris it was noted that Higashi had no ability to counter tani's leg work
Bacon at the time tried to start a style of catch that consisted of only throws and no mat work to nullify the American shenanigans on the ground. At one point i had uploaded over 3000 newspaper clippings from the 1850's thru the 1940's in relation to CACC, from the UK, America, Canada, New Zealand and Australia. After tinypic went out of business it was the end
This is quite interesting for me, are we saying that the method of wrestling taught by Billy Riley (using him as the most famous example), included submissions he had taken from Ju-Jitsu?
Something like, a top wrist lock?
Obviously, choking someone, or grabbing their arm and twisting it up their back is as old as mankind, but something that needed a bit more thought and expertise usually needs to be taught. If Catch-as-catch-can didn't naturally have a system of submission moves, where did wrestlers like Ad Santel, the German born American wrestler who beat Judo and JuJitsu wrestlers in Japan and the USA, in the early part of the 20th century, learn his style?
"...In 1914, the World Light Heavyweight Champion Ad Santel defeated Tokugoro Ito, a 5th degree black belt in judo, in a jacket match. Because Ito had claimed to be a "Japanese judo champion", after the match Santel claimed to be the "World Judo Champion." This apparently embarrassed the founder of judo, Professor Kano. In response, Professor Kano sent another challenger, 4th degree black belt Daisuke Sakai, to defeat Santel. However, Santel also defeated Sakai.
The challenge matches continued in 1921. In March, Ad Santel challenged the Kodokan to dispute his claim as "World Judo Champion". In the first match, Santel defeated 5th degree black belt Reijiro Nagata by TKO. Santel then drew with 5th degree black belt Hikoo Shoji after fighting for 60 minutes. Based upon these performances, the Japanese became fascinated with the European style of submission wrestling. Given the first opportunity, Japanese wrestlers would flock to learn the secrets of European "hooking"....."
If the secrets to Submission Wrestling were simply using Ju Jitsu holds, locks and submissions, why did Japanese Wrestlers not simply just learn that?, why was Karl Gotch held in such high esteem in Japan, and became the main trainer in the early days of NJPW?, the same for Billy Robinson. Why did Billy Riley's gym become the centre of submission wrestling as we know it?, what sort of hybrid submission wrestling style did Riley create, and how?
I am not arguing here, just thinking out loud really.
Ad lost many a match to ito also. Billy brought the hybrid style back from Boston where he worked as a coach at a boys academy and trained a lot with pink gardener and Waino Ketonen. Billy stated at the time that the states were about 50 years ahead of the UK in terms of wrestling and training. The theory usually put forth is that Billy was attempting to track down his father who had skipped town. The style all but died out in the states but Billy kept it alive in Wigan. Toots Mondt was one of the main guys to combine the submission style wrestling of Handa Jiu-jitsu, along with jiudo and CACC. When Frank Gotch toured the UK with his play, "about a bout" he met and defeated Donald Dinnie with Dinnie saying that although Gotch's style of CACC was completely new and no-one in the UK at the time knew anything about it, it wasn't a "dirty" style as Hack had stated. i find it hard to believe that no-one in the UK at the time had experience with it as Yukio Tani of the Handa dojo had the reputation as probably the best CACC wrestler P4P in not only Lancashire, but the whole of the UK. Edit: I should clarify that billy worked for the boys academy at the new Boston in Massachusetts, not the quaint and picturesque old Boston the pilgrims were originally from.
Billy vs bullet bob myers in south africa
Edit: I found this here and is relevant to the topic, from the TV WORLD insert, 1965+-
SaxonWolf, Japanese martial artists were big time in America since 1860s when Meiji period of Japanese history opened doors into the world of samurai combative sports. Lancashire was back fall only any kind of fall flying, rolling, pinning. All in brought submission wrestling to the UK. Irslinger Oakley.
@ruslan-pashayev henry islinger and atholl oakley brought toots mondt's style of slam bang package show wrestling to the U.K as spectacle for sure, Billy had already been back in wigan for a long time before that though and was already training his stable with the "new" hooks he'd picked up from pink and ketonen in a competitive style. Toots in addition to learning from Farmer burns, (who was one of the first to begin implementing the submission holds from jiu-jitsu and jiudo) had also worked a lot with Taro Miyake from the handa dojo.
This is a professionally published book. I wondered expect an author to sell it himself. For those who have problems with Amazon it is on sale elsewhere, such as Wordery.
whatever you do, don't mention the submission holds not being native to Lancashire to anyone from Wigan. They'll be after you with pitchforks and flaming brands. The thing you do see in the old times is the double wrist lock, they mainly used it as a spin down though.
Debraco, the only "submission" wrestling in East Lancs was Up and Down Fighting, their submissions were usually "hangs" and "nelsons", that's about it. So to say it wasn't as elaborate as a modern day catch wrestling...where you have all kinds of the former Japanese jiu-jitsu holds.
Anglo thanks. I would like to add some more to what I already said.
Catch wrestling isn't a self-defense style either, nor it ever was. It was first of all pro wrestling style, meaning the objective was to give a fall and wrestlers were paid by the organizer of the match/show/performance. Pro wrestling in its essence, and nothing else. Amateurism was introduced in 1920s when the Lancs Amateur Wrestling Assn was promoting their own titles under the NAWA of Great Britain.
I don't want people to get confused...aulde Up and Down Fighting/Wrestling and Lancashire catch wrestling...were totally different animals. The former wasn't about falls, using wrestling techniques (no throwing punches) you had to takedown your opponent restrain him in the movement and make him quit admitting his defeat verbally saying - nuff! There was no way for that style ever to become an official pro wrestling in Victorian England...so that's how you get Lancashire Catch wrestling of the 1800s...it was a mix...of up and down...and traditional English concept of wrestling...struggle for a back fall.
Historically besides up and down fighting rossle in East Lancs was also standing catch, where the throw was enough, just like in other English folk styles of wrestling...Often you read...two men would try for a fall...one would throw the other...then they would argue whether there was a back fall or wasn't (flying falls from standing position caused eternal argumentation between rasslers, refs it was a forever lasting story)...not being able to resolve the issue in a peaceful way they would agree on up and down to decide the dispute...they rossle whomever wins is the strongest. I am talking 1600s-early 1800s.
The greater the time-span becomes between the present day and the period of interest, the greater the depth of research seems paradoxically to extend.
Those fifties French bouts coming to light 60+ years later; and this great scholarly research from Ruslan . So hard to bring together the various slippery strings of wrestling variants down the ages. Very well done.
Your posts are always interesting Ruslan. Could you please remind me (and all of us) about Catch Wrestling submissions?, was it a case that submissions were always part of Catch, when taught, but not used in competitions?
SaxonWolf, thanks for your kind words. Appreciate. No, there was never such a thing as Lancashire submission wrestling, its a myth something that never was. Submissions were introduced into pro wrestling by the Japanese martial artists who after they opened doors in Japan (Meiji Era) came to Europe and America. Let's say in England in the 1800s policemen had to learn jiu-jitsu. That is why that style often was called - a policemen wrestling. Jiu-jitsu holds were introduced into pro wrestling, those holds didn't lead to any kind of back falls, because they are of the different nature and were designed for different purpose...to make opponent quit resistance, this is what cops do right?
That is why, probably the best would be not try to connect the modern day catch wrestling to the historical Lancashire catch wrestling. The Modern Catch Wrestling or the XXc Catch as some 1930s-50s British pro wrestling bosses called it, is a thing of its own, it is ALL-IN WRESTLING, pin, sub, KO. There were no KOs nor subs in Lancashire catch, back fall only to decide the winner, any back fall to count whether its flying, rolling or pinning.
Ron, yes of course they were experts of both standing catch (flying falls) and par-terre catch (rolling and pinning falls). Obviously there were NO submissions in Lancashire catch wrestling and only fair back fall decided the winner. Now let's imagine how it will affect the modern freestyle wrestling if the old Lancashire wrestling rules will prevail. You don't need to necessary pin your opponent for the count of 3 anymore, you chose which tactics to apply, any back fall is a fall. I think the look of the wrestling match itself will be very different to what we are so used to.
This is freestyle wrestling rules:
The object of the sport of wrestling is to put your opponent on his back -- to pin your opponent. A pin (or fall) is when you put your opponent on his/her back with any part of both shoulders or both shoulder blades of your opponent in contact with the mat for three seconds. When you pin your opponent, the match is over and you are the winner. If neither wrestler is pinned, the winner is the wrestler who has scored the most points during the match.
Ron, when I say - ADAM RIDINGS' STYLE I MEAN THIS.
Jim Parr of Platt Bridge, near Wigan, Lancs was among the most famous American Lancastrians as Hack calls them. Ron, and he also had a belt. It was a first official British Pro Wrestling (Catch-as-catch-can) Heavyweight Championship Belt, 1899.
Hack, Ron, Dear Friends, Thank You for your help and support!!! Out of Darkness Cometh the Light...those series is a birth of THE STORY OF CATCH!!! There's NO story of catch without HERITAGE !!!
Success is all down to you Ruslan, Your determination, dedication, thorough research and just the right amount of bonkersness, an essential requirement of us all. It's been great to see your research develop since you first made contact with Heritage a few years back. Like quite a few it took a long time for you to brave the forum, and look at you now. We always warned you that yours was a niche interest. But I'll tell you what. Thanks to you it's not as niche as it was. As for the book, there must be many of us envious of your achievement. For those who have not seen the book it is not only as thorough as you would expect from Ruslan but also very professionally produced.
Dear Ron, yes there's a new challenge for me already. Earlier this year I joined an international movement called Traditional Sports, ultimately my goal is - revival of old forgotten wrestling styles of Western European origin. Numero Uno in my list is no doubts The Style of Adam Ridings - THE LANCASHIRE CATCH AS CATCH CAN.
Two thumbs up Ruslan! Congratulations!
The post war promoters also needed the new rules to give the image that the "new" wrestling was a sea change from the bad old days of the 1930s. They needed local councils to look again at wrestling and permit it in their halls. Similar things had happened in the 1930s.
Sorry ,should be Oakeley.
Hi Ruslan. I do not normally argue with people's ideas on threads ,but I would query your statement that "All -in and Mount-Evans were the same roughhouse "
I doubt if anyone on this site now, saw Oakely's bouts live.
I have seen clips ,which were on the news with the 2 Jack Doyle "Fights" at the RAH.
I did see the first days of Mount- Evans rules at Newcastle.
The ME rules bouts were much more strictly controlled than the Oakely bouts.
Glad I went through this thread.Thanks to all contributors,extremely interesting and enjoyable.
The program. The last picture above is from the London Times
seeing as i had mentioned Gotch taking on Dinnie while he was in the U.K on tour with a play written for him, here's a little photo and blurb from the tattler, 1908-11-18. The tattler was an infamous london tabloid
And the bystander from a week later
i ran this through a colorization program
this was the original 1908 match
$3200 is a bit steep for my blood as well, those old lithographs are indeed works of art,
Waino was a masshole for years. Amherst, I seem to recall. Anyway it’s where he met Riley. The other waino was a weightlifter who also did Grec. Are you going to snap up that poster?
SaxonWolf and Debraco I asked our superstar The Main Mask help with the British Wrestling Assn XX Century Catch Wrestling Rules. He's an Oakeley expert, I am pretty sure he can help. So excited to hear from him. Follow my post on that subject.
when it comes to wrestling we always will be back to the eternal question: GRECO-ROMAN v FREESTYLE. Highly recommend the Olin-Stecher match.
Most folks read my dissertations out loud for pest control. The vermin is bored to death before they can escape hearing range, although some do-gooders believe this is to inhumane for even the likes of roaches and rats
so yeah GRAECO-ROMAN background 100%, and it shouldn't be surprising...Even Geo Hack held Finnish greco belt (its on his famous belts photo). Which shows how prestigious it was to go and win their championship. Finlandia was a leading Euro Greco country.
SaxonWolf and Debraco, you would enjoy this reference:
"Moving indoors, the vogue for wrestling began to appear among the Finnish-Americans about the year 1910. A few years before that, a group of Finns had arrived from Tampere, where they had become wrestlers in the Pyrintö Club: Gunnar Grönlund, Matt Kangas, Väinö Ketonen, Karl Lehto, Jooseppi Lehtonen, Kalle Rantala and Karl J. Wirtanen. In the spring of 1909 there was an announcement in the Urheiluviesti, the sports paper which Wirtanen had begun to edit, stating that Grönlund, Lehto, Rantala and Wirtanen had formed a group and would put on exhibition matches in the Minnesota mining region. Between performances they also taught other interested Finns the art of wrestling, gave shows all over the Middle West, and often took part in matches against other champions. That wrestling was not just a sport popular among a few but was enjoyed by vast crowds is claimed in the series of articles written by "G. A." (Gust Aakula) and K. J. Wirtanen in the Industrialisti in the spring of 1955, amplified with an article in the Ironwood Daily Globe of 26 February 1955".
reference the their alma mater:
https://en.wikipedia.org/wiki/Tampereen_Pyrint%C3%B6
Väinö Ketonen (Finnish spelling) appears in East Lancashire and competes in local pro wrestling matches (Lancashire catch) as early as 1911.
There were two waino ketenons wrestling one of which was an Olympic freestyle wrestler. After he’d been in the states for a while he picked up the CACC and would be an influence on Riley
SaxonWolf, Debraco, enjoy my articles. I am an expert member of the Traditional Sports international movement. My article called THE ROOTS OF MODERN WRESTLING was a subject of my report at the international conference on traditional styles of wrestling couple of months ago.
https://www.wrestling-titles.com/europe/pashayev/
I could read this stuff all day long!
Thanks guys. I do remember reading the name Waino Ketonen before, am I right in thinking Billy Riley said that Ketonen was the best wrestler he ever faced?, something like that? I need to dust down my old books and read them all again. Was there a tradition of submission wrestling in Finland or did Ketonen learn this elsewhere.
So it appears that both styles (Eastern and Western wrestling, if you will) had some submission moves which the other picked up.
Also, while it appears that Lancashire Catch Wrestling and Catch as Catch Can are interchangeable, when describing the wrestling style, am I right in thinking they are two related, but not the same, styles. Almost like "cousins"?
CACC was the style that originated in England, made up of the best bits of overseas styles, brought back by British sailors I think?
I used to know all this stuff!, the older I get, and with the increasingly busy work load I have, I don't have time to keep my knowledge up to date.
will do. I'd also ad that it was a two way street in regards to the technique and knowledge flow, in no old jiudo or handa book is there a double wristlock/kimura or crooked head scissors before its exposure to CACC/Lancashire, there was neither a top wrist lock/americana in CACC/Lancashire before handa/jiudo. In mentioning Yukio Tani it's often pointed his mastery of the CACC leg rides and his ability to flumox other japanese opponents with his use of them. When he crushed Higashi in Paris it was noted that Higashi had no ability to counter tani's leg work
Bacon at the time tried to start a style of catch that consisted of only throws and no mat work to nullify the American shenanigans on the ground. At one point i had uploaded over 3000 newspaper clippings from the 1850's thru the 1940's in relation to CACC, from the UK, America, Canada, New Zealand and Australia. After tinypic went out of business it was the end
This is quite interesting for me, are we saying that the method of wrestling taught by Billy Riley (using him as the most famous example), included submissions he had taken from Ju-Jitsu?
Something like, a top wrist lock?
Obviously, choking someone, or grabbing their arm and twisting it up their back is as old as mankind, but something that needed a bit more thought and expertise usually needs to be taught. If Catch-as-catch-can didn't naturally have a system of submission moves, where did wrestlers like Ad Santel, the German born American wrestler who beat Judo and JuJitsu wrestlers in Japan and the USA, in the early part of the 20th century, learn his style?
"...In 1914, the World Light Heavyweight Champion Ad Santel defeated Tokugoro Ito, a 5th degree black belt in judo, in a jacket match. Because Ito had claimed to be a "Japanese judo champion", after the match Santel claimed to be the "World Judo Champion." This apparently embarrassed the founder of judo, Professor Kano. In response, Professor Kano sent another challenger, 4th degree black belt Daisuke Sakai, to defeat Santel. However, Santel also defeated Sakai.
The challenge matches continued in 1921. In March, Ad Santel challenged the Kodokan to dispute his claim as "World Judo Champion". In the first match, Santel defeated 5th degree black belt Reijiro Nagata by TKO. Santel then drew with 5th degree black belt Hikoo Shoji after fighting for 60 minutes. Based upon these performances, the Japanese became fascinated with the European style of submission wrestling. Given the first opportunity, Japanese wrestlers would flock to learn the secrets of European "hooking"....."
If the secrets to Submission Wrestling were simply using Ju Jitsu holds, locks and submissions, why did Japanese Wrestlers not simply just learn that?, why was Karl Gotch held in such high esteem in Japan, and became the main trainer in the early days of NJPW?, the same for Billy Robinson. Why did Billy Riley's gym become the centre of submission wrestling as we know it?, what sort of hybrid submission wrestling style did Riley create, and how?
I am not arguing here, just thinking out loud really.
Usually a niche book like this is also sold by the author at a higher profit margin than a usual print on demand by amazon.
This is a professionally published book. I wondered expect an author to sell it himself. For those who have problems with Amazon it is on sale elsewhere, such as Wordery.
That’s what I figured, but on the off chance he was selling copies himself I wanted to ask.
The book is sold on Amazon.
whatever you do, don't mention the submission holds not being native to Lancashire to anyone from Wigan. They'll be after you with pitchforks and flaming brands. The thing you do see in the old times is the double wrist lock, they mainly used it as a spin down though.
Where can i find this?
Anglo thanks. I would like to add some more to what I already said.
Catch wrestling isn't a self-defense style either, nor it ever was. It was first of all pro wrestling style, meaning the objective was to give a fall and wrestlers were paid by the organizer of the match/show/performance. Pro wrestling in its essence, and nothing else. Amateurism was introduced in 1920s when the Lancs Amateur Wrestling Assn was promoting their own titles under the NAWA of Great Britain.
I don't want people to get confused...aulde Up and Down Fighting/Wrestling and Lancashire catch wrestling...were totally different animals. The former wasn't about falls, using wrestling techniques (no throwing punches) you had to takedown your opponent restrain him in the movement and make him quit admitting his defeat verbally saying - nuff! There was no way for that style ever to become an official pro wrestling in Victorian England...so that's how you get Lancashire Catch wrestling of the 1800s...it was a mix...of up and down...and traditional English concept of wrestling...struggle for a back fall.
Historically besides up and down fighting rossle in East Lancs was also standing catch, where the throw was enough, just like in other English folk styles of wrestling...Often you read...two men would try for a fall...one would throw the other...then they would argue whether there was a back fall or wasn't (flying falls from standing position caused eternal argumentation between rasslers, refs it was a forever lasting story)...not being able to resolve the issue in a peaceful way they would agree on up and down to decide the dispute...they rossle whomever wins is the strongest. I am talking 1600s-early 1800s.
The greater the time-span becomes between the present day and the period of interest, the greater the depth of research seems paradoxically to extend.
Those fifties French bouts coming to light 60+ years later; and this great scholarly research from Ruslan . So hard to bring together the various slippery strings of wrestling variants down the ages. Very well done.
Your posts are always interesting Ruslan. Could you please remind me (and all of us) about Catch Wrestling submissions?, was it a case that submissions were always part of Catch, when taught, but not used in competitions?
Great , you get the impression that these guys really knew what they were doing.
They were fit , small , but strong pound for pound.
Ron, when I say - ADAM RIDINGS' STYLE I MEAN THIS.
Jim Parr of Platt Bridge, near Wigan, Lancs was among the most famous American Lancastrians as Hack calls them. Ron, and he also had a belt. It was a first official British Pro Wrestling (Catch-as-catch-can) Heavyweight Championship Belt, 1899.
Hack, Ron, Dear Friends, Thank You for your help and support!!! Out of Darkness Cometh the Light...those series is a birth of THE STORY OF CATCH!!! There's NO story of catch without HERITAGE !!!
Success is all down to you Ruslan, Your determination, dedication, thorough research and just the right amount of bonkersness, an essential requirement of us all. It's been great to see your research develop since you first made contact with Heritage a few years back. Like quite a few it took a long time for you to brave the forum, and look at you now. We always warned you that yours was a niche interest. But I'll tell you what. Thanks to you it's not as niche as it was. As for the book, there must be many of us envious of your achievement. For those who have not seen the book it is not only as thorough as you would expect from Ruslan but also very professionally produced.
I don't think anyone will ever be able to significantly add to your excellent research. What an effort and you are still going all guns blazing.
Often wonder what could attract your interest next. Is there a new challenge ahead for you one day.